Mary. In the box.

I love conceptual work. It starts with an idea and the planning of the shoot continues with the selection of the perfect model and does not end with the briefing with her. During the session itself, everyone involved already knows what it is about and we can get started right away. In this case, the aim was to make the subsequent work on the final result in Photoshop easier by setting the lighting and working precisely. Cutting and assembling was really fun, the final selection of images was larger than planned, but I don't think it harms the overall work.

I think we did a good job again this time.